Barrios Competition

This looks like fun. It’s the Barrios Worldwide Web Competition. Upload your performance of Barrios pieces to YouTube and you could win a round-trip to Paraguay to perform in the finals. 1st-Place prize is $5,000. (All travel expenses to be paid by the Competition.) Eduardo Fernandez, Berta Rojas, and Carlos Barbosa-Lima are involved, so that’s a very good sign. Details at http://www.barriosworldwide.com

Here’s my new favorite guitarist, Berta Rojas, playing Un Sueno en la Floresta (A Dream in the Forest):

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Paco de Lucia: Soleares

This is probably my favorite video of Paco de Lucia. I think it is from a time just before he played with Al Di Meola on the Elegant Gypsy album. This clip shows his utter command of traditional, straight-ahead flamenco, versus the jazzy explorations for which he later became well-known.

Pirates of the Caribbean for Guitar and for Organ

I’m a big fan of Sungha Jung. I was browsing through his YouTube videos a few minutes ago (as I often do) and I listened to one I hadn’t heard before, Pirates of the Caribbean. It was pretty good, as usual. But the big WOW! came as I toured through other versions of the same piece and found one by a 9-year-old girl playing some kind of electric organ. What spirited playing! Wonderful stuff.

I’m posting both links, Sungha’s first. If you want to get the full effect, listen to them in order:

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How To Hold The Guitar

Tired of the same old way of holding the guitar? Here’s a guy with a better approach:

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Beverly Sills Sings Manuel Ponce’s Estrellita to Guitar Accompaniment

Manuel Ponce is known to classical guitarists as the composer of many popular works for classical guitar, but he is known to the world for this love song, Estrellita:

Estrellita del lejano cielo,
(Little star of the distant sky,)
que miras mi dolor,
(you see my pain,)
que sabes mi sufrir.
(you know my anguish.)
Baja y dime
(Come down and tell me)
si me quiere un poco,
(if he loves me a little,)
porque yo no puedo sin su amor vivir.
(because I cannot live without his love.)

¡Tu eres estrella mi faro de amor!
(You are my star, my beacon of love!)
Tu sabes que pronto he de morir.
(You know that soon I shall die.)
Baja y dime
(Come down and tell me)
si me quiere un poco,
(if he loves me a little,)
porque yo no puedo sin su amor vivir.
(because I cannot live without his love.)

This performance is from Johnny Carson’s Tonight Show in 1974. One of the YouTube comments is especially worth quoting:

Even more than her exquisite singing, what always strikes me is Sills’ simple and moving commitment, which goes straight to the heart of the listener with no affectation, no easy dramatic tricks. She simply communicates emotion through her voice and her face, what is a very difficult thing to do without sounding or looking artificial.

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Berta Rojas plays Agustín Barrios

If there’s a more beautiful classical guitar video on YouTube, I haven’t seen it. The music is Julia Florida by Agustín Barrios. The guitarist is Berta Rojas. She is from Paraguay. So was Barrios (1885-1944). And so are the people in this video.

Bach on Guitar

When I first approached Bach’s ‘cello suites, I listened carefully to Janos Starker and Pablo Casals. I tried to use their ideas as best I could on the guitar.

But the results weren’t good. I couldn’t reproduce the great-hearted sound I was hearing from the ‘cello. I gave up on the project after a few weeks.

Then, several months later, I heard Walter Gerwig delicately play some of the ‘cello music on lute. “That’s beautiful!” I thought. “How can that music work so well on the lute — an instrument that is even less gutsy than the guitar?”

The answer came: He’s not trying to make his lute sound like a ‘cello, of course!

It was a milestone lesson for me: Don’t try to make the guitar sound like a ‘cello, or a piano, or a lute, or anything else. Go to what is most beautiful about the guitar and bring that forward. Play as if Bach had written the music to showcase how beautiful a guitar can sound.

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